My apologies to friends and family. I haven’t posted anything on my website in many weeks. Lots of excuses, of course!
Anyway, here’s what I’m about. I haven’t done much writing recently. I have a new short story, “The Sword,” which will be published in November in the Northwest Independent Writers Association’s anthology, Escape. I’ve started another but I’m bogged down at the moment.
Most of my energy has been channeled into learning how to do my own audiobooks, and it’s a very steep learning curve! I’ve taken an online course (many times!) and I’m in the process of doing my short story, “Eye of Newt.” I’m sure you know that’s the second of the Driftwood Mysteries, epilogue to Seal of Secrets and prologue to Woman in the Waves. I decided to start small to learn the ropes before launching into a full novel. That was a good decision. Although the book is only an hour long, the editing takes many times that. I’m sure as narrators get more experience, the editing comes more easily, but I spent three hours doing five minutes of the book! Yikes! And after all that, it didn’t pass muster. (There’s a plug-in for the Audacity software called “ACX check” that analyzes the material and determines if it meets ACX criteria (ACX is the Amazon company that publishes audiobooks). The big culprit was “noise floor too loud”—geek-speak for too much background noise. What to do?
You must understand, my recording studio is my wife’s closet. Besides being surrounded by her noise-dampening clothes, I hung towels over her shoe rack and blankets over the door behind me. But I hadn’t taken into account the ceiling. Since necessity is the mother of a lot of nonsense, I suspended a mattress pad over my head. (Good thing I’m not claustrophobic!) That, along with an update to my editing instructions, solved the problem. My next version passed the test. But was it of the quality that devotees of audiobooks expect in their purchases? I sent an excerpt to two people who listen to a lot of audiobooks, and both said the quality was good, but that most narrators try to make subtle distinctions between the speaking voices of different characters. Oh, well, I thought. Not gonna happen now. Until I realized I had made a critical mistake in the very first sentence!
OK. In for a penny, in for a pound. It takes me fifteen minutes to set up my sound studio, whether I’m doing a retake of a single sentence or redoing the whole book. So back into the closet. I redid the story, trying to achieve some differentiation between the characters. The recording now sits in my computer, awaiting the time I build up enough nerve to tackle the editing again. Stay tuned.
Next, I took a calculated risk and went to the theater yesterday. Recalling my movie-going before the pandemic, in my little town the theaters were often empty for an early weekday matinee ,and I’d get a private showing. Yesterday, there was one other person in the theater, so I thought it was probably safer than grocery shopping at Safeway.
Is Tenet worth the hype? Is it any good? Absolutely. Is it as good as Inception? Well, Inception sets an awfully high bar. It’s probably not that good, but it’s a worthy entrant into the Christopher Nolan canon, and well worth your time. I’ll give you the pros and the cons, cons first.
The Regal Cinema where I saw the film set the bass at earthquake level—I thought my seat might come unmoored from the floor. Should we start considering a class action hearing loss lawsuit against them? Sheesh! Secondly, Nolan is becoming the king of muffled dialogue. At first I thought it was my old-man ears, but I saw comments from others on the internet. Dialogue lost in background noise, poorly articulated by actors. WTF, Christopher! You can do anything on film. Why can’t you let us understand what your characters are saying? Finally, and this is only a minor quibble, there is no character development. The main character doesn’t even have a name—he’s simply The Protagonist. But hey, we don’t go to Christopher Nolan movies for in-depth characterization. We’re there for mind-boggling concepts and plot, and eye-popping special effects. On that score, Tenet delivers in spades.
The pros—what an idea! And I won’t give away any spoilers here. It’s a wildly inventive concept splashed across riveting action sequences that will likely blow your mind, or at least trip a few circuit-breakers. And the deeper you get into it, the more convoluted it becomes (in a good way!). I think I actually understood about 85% of it on a first viewing, which is pretty good for me. I’m still kicking myself that I didn’t grasp the real significance of the title until I read about it afterwards. I should have figured that out. Speaking of which—see the movie cold, then read about it afterwards online. The pure nerdiness of the film is enough to blow anyone’s mind. (Ever hear of a Sator Square before? I hadn’t, but it’s woven into the fabric of the film.)
So Christopher Nolan has done it again—created a thinking person’s blockbuster that will leave you talking about it for days afterward. For me, entertainment that engages your mind as well as your emotions is what it’s all about. Yes, you have to work for it, and yes, you’ll have to see it more than once, but I’m onboard. Highly recommended.