Katherine Girsch holds an MA in Spanish Literature from the University of Oregon. In 2018 she self-published Coming to Terms: A Novel under the name K.D. Girsch, and she completed TransAtlantic Ties, a collection of interconnected short stories, in 2021. She is currently at work on My Own Heart’s Song. She lives and writes in a renovated nineteenth-century cottage in Oregon.
Will: Kathy, words like “luminous,” “elegant,” “transcendent,” come to mind when I try to describe your prose. Can you give us a glimpse into your writing process? How do you do it?
Kathy: Thank you. I appreciate your lovely description of my prose. Writing is a delight for me, an opportunity to express who I am in a voice that doesn’t always make itself heard in my day-to-day conversations. I imagine people and let their experiences, thoughts, and voices take up residence in my mind. They evolve, and a substantial part of each character’s life is waiting for me when I start to write. Individual personalities continue to develop and deepen as they respond to events and interactions on the page. The characters I create teach me something and inspire the words I choose to tell their stories.
Will: When and how did you discover you were a writer?
Kathy: I never thought of myself as a writer of fiction until I’d finished the first pages of my first book in the fall of 2016. Nonetheless, the characters of the story I started writing that September day had lived with me for months. Throughout my life, characters as diverse as Heidi, Peter Pan, Anne Frank, Hamlet, Jude of Jude the Obscure, Scout of To Kill a Mockingbird, and Thomas Cromwell of Wolf Hall have brought literature to life for me, and they inspired me as I envisioned characters of a story that eventually became Coming to Terms: A Novel. I shared the story I was imagining with my husband, who encouraged me to actually write it down. The first few hours of that process did not go well. I hadn’t expected my characters to shine like those written by literary greats, but my total lack of success at transporting the beauty in my head to the written page was demoralizing. Not about to abandon the characters I loved, I persevered. Before the day was up, I was a writer.
Will: What about “nuts and bolts?” Do you have dedicated time and space for writing? Do you develop an outline before you begin?
Kathy: When I was writing my first book, I wrote any place I could carry a laptop—the coffee shop, airplane seats, my bed—but I control myself these days and, depending on the season, confine my writing to a spare room next to my bedroom or the garden room at the back of the house. I start writing while I drink my first cup of coffee. The session might last as little as forty-five minutes, but most often goes on for three or more hours. I write for a couple of hours in the evening, and if I awake with an idea in the middle of the night, I slip out of bed and head for my laptop. I don’t use a written outline, but I do have a loose plan in my head. I start out by writing spontaneously, letting the thoughts that have accumulated in my subconscious flow freely. I’m not at all organized in those first moments. Later I carefully re-read passages I’ve written and begin making nuanced changes. I follow up with another spontaneous burst of writing. And so it goes. I write, refine, and move on. Although I have a plan, I tend to write sections out of order. That makes for a lot of revision as chapters fall into place, but I don’t mind. It’s a joy.
Will: You write primarily about relationships, and you’re gifted with articulating very deep emotions—grief, despair, joy, love. If it’s not too personal, may I ask the source of your inspiration?
Kathy: Thank you for asking. My dad, who grew up in a rough and tumble Chicago neighborhood and, along with my mom, raised six kids in a small Iowa town, was an extrovert who could talk to anyone. A fountain of stories and songs, he laughed at jokes—including his own—until tears ran down his cheeks. He swam with a mighty crawl stroke, hunted, fished, and took up power-walking before the term had come into being. This vigorous man was stricken with multiple sclerosis at forty-five years of age. He found it impossible to conceive of happiness without the physical activity he loved and succumbed to a deep despair that lasted for a number of years. Ultimately, his exuberant way of being triumphed, and he reimagined himself. Bought a CB radio, chose the handle “Seagull,” and began to soar. He talked to truckers he’d never met, invited new friends into his life, and told stories from his wheelchair. Unable to hold a pencil, he learned to type, and transformed a lifetime of memories into poetry. He made me laugh each time I saw him. When he died at age sixty, I cried for a year, and I’ll grieve him for the rest of my life. On painful occasions and joyous ones, my siblings and I still sing his songs, read his poems, laugh through our tears as we repeat the jokes of the resilient man who’ll always inspire us.
Will: What has the process of indie publishing been like for you?
Kathy: I loved every aspect of writing my first book, Coming to Terms: A Novel—the free flowing, off the top of my head bursts of energy, the creative revision and sentence crafting, the nit-picky proofreading. But the rigors of formatting for print were beyond what I wanted to take on. I hired BookBaby, a company whose staff members were always ready to answer my questions and receive my input. They executed the formatting process and made my book available for sale to a network of booksellers. Every aspect of publishing proceeded flawlessly, but when I used the same company for self-publishing my second book, TransAtlantic Ties, there was a glitch in connecting with Amazon that stalled production of print books. If I use BookBaby again, I’ll opt for a newly available hybrid between that company and Kindle Direct Publishing.
Will: Would you be willing to tease us with a behind-the-scenes look at your current project?
Kathy: I’ve completed a draft of My Own Heart’s Song, and I’m presently following the advice of various renowned authors: “Kill your darlings.” (It’s painful.) I remove sentences and passages, then rethink and rewrite. I’ll carry out the process again after completing the second draft. For the most part, I’m having fun as I reread and revise this novel in which Laura Weber, an unconventional twenty-six-year-old New Yorker, shares her coming of age story in a voice that sparkles with passion. Her frank, tender first-person observations alternate with narratives presented from the points of view of her friends, lovers, and family members. Optimistic and big-hearted, Laura carries readers along on an emotional, intellectual, and physical journey that began as a search for the romantic love she believed her parents had lost.
Will: Do you have any advice for aspiring authors who may be daunted by the tasks before them?
Kathy: Firstly, begin by writing what you love, exactly the way you want to write it. You can—and will—make changes later, but don’t cheat yourself out of the fun of watching your words flow together in a unique way, of learning about yourself when you read what you’ve written. Secondly, make time for reading, the kind of works you’ve always loved, as well as new authors and genres. Carry your newfound writer’s outlook to everything you read; enjoy and employ the viewpoints you take away.
Will: Kathy, thank you so much for sharing your insights with us. To my readers–here are links to Kathy’s books.