Wow! What a Review!

Book Review of Gallery of Gangsters: A Driftwood Mystery

Diane Donovan, Senior Reviewer, Midwest Book Review and Editor of Donovan’s Literary Services.

Gallery of Gangsters is the final Driftwood Mystery in the series, expanding its five predecessor titles with a new and final battle between Native American detective Charley Whitehorse and Russian crime czar Vasily Volkov. It’s a confrontation that will rock prior readers, and is introduced by an Author’s Note about currency security and counterfeiting that features some key facts to lend better understanding to this mystery’s subject and progression.

This information in hand, readers embark on a vivid romp that opens in the art auction world of 2019. Here, a meteoric bidding war is taking place, with prices hitting the millions for a work of art that two contenders have no intention of losing.

As the bloodless combat between the contenders evolves a chess-like game of strategy and countermoves, readers will be thoroughly engrossed in the story’s mystery and outcome by the time the purchase of Hurricane is complete.

This is just the first chapter of a complex story that moves into the mysterious death of an art gallery owner in Driftwood, who specialized in high-end paintings. It reveals not just the game being played by Whitehorse and Volkov, but a strong woman caught in the middle (Michelle Garrison), whose auction house work has placed her in the crosshairs of a powerful female assassin.

As Michelle asks hard questions about who killed McKinley Striker and Dashiel Owen and becomes immersed in the identity and subterfuge of Odesa (nee Kseniya, whose job is murder), all characters dance into an arena of threat that reaches out to embrace the innocent and guilty alike.

Mystery readers who enjoy stories centered on the art world will find Gallery of Gangsters satisfying for its insights into that community’s activities and the works of art that drive passions and pocketbooks alike. These motivate characters to move outside their comfort zones and into the unfamiliar territory of murder, investigations, and nefarious connections.

Powered by strong personalities whose special interests create different perspectives and representations of moral and ethical behavior, William J. Cook’s story assumes a provocative tone of surprises that embrace unexpected romance and adversity alike.

As events unfold, this final Driftwood mystery comes to life in ways even seasoned genre readers won’t see coming.

As a stand-alone mystery, it will also nicely attract newcomers who have and need no prior experience with the exploits of Charley Whitehorse and Vasily Volkov to prove understandable and engrossing; especially since Michelle’s character powers many of the scenes and insights.

In the end, love wins. But, via a circuitous route that keeps readers guessing right up to the mystery’s satisfying conclusion.

Libraries and readers who look for outstanding characters, an art world backdrop, and intrigue and subterfuge that moves from a small town into international waters will find Gallery of Gangsters the perfect crescendo of a conclusion that explores what is unique and fragile not just in the art world, but in matters of love, power, and the pursuit of profit.

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